陌生的彼岸
陈望
前言：
从绘画到影像艺术；从学习西方文化到追求东方气质。不断找寻着自己的观看角度和审美立场。橘生淮南则为橘，橘生淮北则为枳。用当代的观点橘所有宗枳有所变。我追求看到个人的气质，不是模仿来的源头。不被标签套的住是我所追求的彼岸。在技术不在成为限制“抽象”变的匮乏而合流。新鲜感的吸引对我变的异常强烈，这个新鲜感是在东方气质下的新鲜感。更是一种“心像”。木构背后的文化认同感是历史与时间带来的，我尽力让木构以一个当下有时代性的方式呈现出新的面貌。形式感表达的是规律，规律背后自有其意义。因果联系不是通用的方法论，细节的真实都是偶然的联系。以当代的观点，在历史的遗迹中重构出对过去和当下的回应。
燕郊碧桂园时代城10-2-2104
2021年1月16日-2021年1月26日
微信：chenwang0192
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The strange shore
Chen Wang
Preface:
From painting to video art; from studying western culture to pursuing oriental temperament. Constantly looking for their own viewing angle and aesthetic stand. Orange-born Huainan is tangerine, orange-born Huaibei is cricket. From a contemporary point of view, all ancestors have changed. I seek to see personal temperament, not the source of imitation. To live without a label is the other side I seek. Technology is not converging until it becomes a scarcity that limits “abstract” change. The appeal of freshness has become very strong to me. This freshness is freshness under the oriental temperament. It is also a kind of “mind image”. The cultural identity behind the wooden structure is brought by history and time. I try my best to make the wooden structure take on a new look in a contemporary era. The sense of form expresses a law, and the law has its own meaning. Causality is not a universal methodology; the truth of the details is accidental. From a contemporary perspective, the responses to the past and the present are reconstructed in the relics of history.
Yanjiao Country Garden Times City 10-2-2104
2021.1.16-2021.1.26
WeChat：chenwang0192
*Need appointment
