N'1人类非对称对话系列/考古2020
这是一个技术概念,在当今激进的控制论社会中,它变得尤为重要。 这项工作想要表明的是,在当前深刻的技术发展中,观看方式和呈现方式正在不断变化,这是一个根本性的变化。 我们处于这种类型的变化中,并且在大多数情况下,它们是隐藏的秘密变化,它们影响着我们自己,甚至没有意识到它们的存在。 该项目基于考古本身,并扩展到技术演示。 从有形哲学到无形哲学,从存在主义到虚无主义。 作品试图表达这种随时都会发生的小事情。 不管是旧石器时代还是技术时代,地层学都会默默记录所有内容,即使我们看不到也听不到。
杨珮瑞
杨珮瑞,跨学科艺术家和考古工作者。她学习并居住在西班牙。她的研究主要是关于考古学与当代艺术,尤其是史前艺术与当代艺术的联系。作为一名考古工作者和艺术家,她致力于在多重身份下探索艺术创作与学术实践。
N'1 Human Asymmetric Talk Series / Archaeology 2020
This is a technical concept, which in today's radical Cybernetic society, it becomes particularly important. What this work wants to show is that in the current profound technological evolution, the way of seeing and the action of presenting are constantly changing and that this is a radical change. We are in this type of change, and most of the time they are hidden, secret changes that they affect ourselves without even being aware of their existence. This project is based on archaeology itself and extends to technical presentations. From tangible philosophy to intangible philosophy, from existentialism to nihilism. The work tries to express this small thing that will occur at any time. It doesn't matter if it's the Paleolithic era or the technological era, stratigraphy silently records everything, even if we don't see or hear it.
Peirui Yang
Peirui Yang is an interdisciplinary artist and archaeologist. She currently lives in Spain.Her research is about archaeology and contemporary art, especially the connection between prehistoric art and contemporary art. As an archaeologist and artist,she is dedicated to exploring artistic creation and academic practice under multiple identities.
N'1人类非对称对话系列/考古2020
这是一个技术概念,在当今激进的控制论社会中,它变得尤为重要。 这项工作想要表明的是,在当前深刻的技术发展中,观看方式和呈现方式正在不断变化,这是一个根本性的变化。 我们处于这种类型的变化中,并且在大多数情况下,它们是隐藏的秘密变化,它们影响着我们自己,甚至没有意识到它们的存在。 该项目基于考古本身,并扩展到技术演示。 从有形哲学到无形哲学,从存在主义到虚无主义。 作品试图表达这种随时都会发生的小事情。 不管是旧石器时代还是技术时代,地层学都会默默记录所有内容,即使我们看不到也听不到。
杨珮瑞
杨珮瑞,跨学科艺术家和考古工作者。她学习并居住在西班牙。她的研究主要是关于考古学与当代艺术,尤其是史前艺术与当代艺术的联系。作为一名考古工作者和艺术家,她致力于在多重身份下探索艺术创作与学术实践。
N'1 Human Asymmetric Talk Series / Archaeology 2020
This is a technical concept, which in today's radical Cybernetic society, it becomes particularly important. What this work wants to show is that in the current profound technological evolution, the way of seeing and the action of presenting are constantly changing and that this is a radical change. We are in this type of change, and most of the time they are hidden, secret changes that they affect ourselves without even being aware of their existence. This project is based on archaeology itself and extends to technical presentations. From tangible philosophy to intangible philosophy, from existentialism to nihilism. The work tries to express this small thing that will occur at any time. It doesn't matter if it's the Paleolithic era or the technological era, stratigraphy silently records everything, even if we don't see or hear it.
Peirui Yang
Peirui Yang is an interdisciplinary artist and archaeologist. She currently lives in Spain.Her research is about archaeology and contemporary art, especially the connection between prehistoric art and contemporary art. As an archaeologist and artist,she is dedicated to exploring artistic creation and academic practice under multiple identities.
Bilibili:燕郊双年展
小红书:燕郊双年展
抖音:燕郊双年展
Email:yanjiaobiennale@126.com
微信公众号:燕郊双年展
新浪微博:@燕郊双年展
Youtube: yanjiao_biennial art
Facebook: yanjiao_biennial
Instgram:yanjiao_biennial_
Twitter:yanjiao_biennial
网站建设:李墨储